![]() The Do Not Pass MIDI Thru setting for screen controls now works correctly.Keeping the Multimeter open no longer causes MainStage memory usage to increase.MainStage no longer quits unexpectedly when a Mono>Stereo instance of a plug-in is bypassed.MainStage no longer quits unexpectedly when using Soundtoys Effects Rack.The Transpose object in the Workspace now displays the composite result of transpositions at the Concert, Set and Patch levels.The Map Parameter button in Layout view now remains enabled when clicking on objects in the Workspace.The Select Next/Previous Settings commands now work reliably in patches that contain an original and alias of the same channel strip.The current Expression setting is now retained when the Audio Settings are changed.Renamed Sampler channel strips now reliably retain their names when a saved concert is re-opened.A Multi-timbral Settings window that’s behind another window is now brought to the front when selected again from the Window menu.Clicking the Layer MIDI Input Bypassed button in the Layer Editor no longer causes the view to unexpectedly switch to the Plug-in Library.The Screen Control inspector now immediately updates to reflect changes in channel strip selection.Notes sustained over Patch changes are no longer cut off when a MIDI Transformer plug-in is active.When adjusting knobs or faders on multiple selected channels in MainStage, all of the corresponding controls in Logic Remote now update.Saving MainStage concerts from Logic Remote now works reliably.The mute button on the master fader in Logic Remote now updates when it is engaged in MainStage.Undo now works after changing the output of a channel from stereo to mono.Mixer or plug-in controls mapped to the same Workspace object now maintain their relative positions when controlled from the object.External Instrument channels sending Bank select messages now send the correct sequence of MSB and then LSB messages.The Channel Strip: Show Original/Show Next Alias key command now selects the channel strip as expected.The Expression knob on the Mixer now reliably shows Expression value mappings saved at the Concert level.Clicking the channel mode button from mono to stereo on Output 2 no longer unexpectedly sets the level of the resulting Output 1-2 channel strip to its minimum value.The Instrument Channel Strip Inspector’s MIDI Input Tab now contains a section at the top of the Input Controller menu for recently assigned controllers.Output 1-2 and Master channel strips no longer disappear when loading patches that attempt to route to mono outputs.VoiceOver now correctly announces the latency value on channel strips.VoiceOver can now be used to delete channel strips.Channel strips can now be selected with VoiceOver.Concerts with instances of Sampler that have been dragged and dropped from other concerts or from the Finder no longer sometimes open with the wrong samples loaded.Using the Select All command in Layout mode no longer causes MainStage to quit.MainStage no longer quits when pressing Command-Equals sign (=).MainStage no longer hangs when closing the “8 Drum Pads” concert using Logic Remote.You can now use the new command Reset Window Configuration from the Windows menu to restore the default window configuration for all open windows.Sample Alchemy is now available as a plug-in.Beat Breaker is now available as a plug-in.And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch. With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once. Start walking a bass line up the keyboard, and the split point moves up so the bass doesn’t suddenly become some other sound when you get into the higher notes. It intelligently moves the split point on a split keyboard Patch to respond to what you’re playing. For starters, there’s the Floating Split Point. MainStage is not only an amazing host for software instruments and effects, it’s also packed with innovations that let you shine on stage. Or bring the authentic sounds of a Hammond B3 organ, Hohner Clavinet D6, or Fender Rhodes or Wurlitzer electric piano on stage. Use Retro Synth to re-create your favourite electronic sounds from the ’70s and ’80s with an intuitive set of controls. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. ![]() The Arpeggiator features note-based remote controls and flexible latch modes. Take your performance beyond what you can actually perform.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |